Jonze has become known for creating bewildering worlds, from his work on the maniacal Oscar-nominated “Being John Malkovich,” his layered “Adaptation” and the heart-rending “Where the Wild Things Are.” He's also crafted arresting videos for inventive artists like Bjork and Kanye West, as well as a collection of short films, commercials and documentaries. But “Her” is the first feature film he's penned solo and he's never been so ingenious.
In a dark theater, surrounded by the wondrous world Jonze creates in “Her,” in theaters Friday, it's difficult to avoid getting emotional. There is such a somber and supple tone throughout, as Theodore (faultlessly performed by a pensive and vulnerable Phoenix) surrenders to his desperation, finding glimpses of glee we're pleased he's afforded.
Visually Jonze has built a bold dreamland: a near-future Los Angeles awash with primary colors and warm pastels that tickle our childlike senses. Every fella dons high-waisted pants, a fashion choice emphasizing the sign of the times. And for the magnetic cityscapes, the movie was filmed in Los Angeles and China.
Amy Adams delivers a delicate portrayal of Theodore's lovelorn neighbor and best friend, Amy. She supports his decision to date his OS, but thinks anybody who falls in love is a freak. “It's kind of a form of socially acceptable insanity,” she proclaims.
But Theodore's ex-wife thinks his latest turn at love is crazy. “You always wanted to have a wife without actually dealing with anything real,” she tells him. Thus, the lingering questions are brought to the forefront: To what lengths would we go to avoid certain truths? And could virtual affairs be the inevitable evolution of relationships in our tech-blooming society? The notion of unconventional romanticism is certainly enchanting, but even computer love can be fleeting.
資料來源：http://www.chinapost.com.tw/movie/drama/2014/01/17/398986/The-magical.htm
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